“Roberta Piket is not as well-known as she should be, but “Solo” gives plenty of examples of her deep, rich talent.”
“It’s Piket’s two-handed keyboard work that has Keith Jarrett’s facility but more guts….”
“Wonderful and versatile…. A strikingly fine pianist and composer… Expect jazz in its more multi-limbed, open-ended definition.”
“If you were lucky enough to hear Roberta Piket…you heard an exceptional talent…with probing lyricism and creative fluency…a fine instinct for leading a rhythm section…always taking the music to a more elevated plateau.”
“Roberta Piket is a revelation on the piano, a virtuosa whose skill and innovation can enliven and transform any song.”
“(Critic’s Choice) Constantly curious, she has released a series of recordings probing across the landscape from retro-mainstream to free jazz.”
“…a jazz pianist who still hasn’t quite received the ovations that her unique talents deserve.”
“A favorite of Marian McPartland, Piket is a deeply swinging, intelligent, two–fisted pianist.”
“Piket plays with a studied abandon… she’s completely familiar with the entire history of jazz piano which she translates into a comfortably post-modern attitude…. What a gift to evoke everyone from Jelly Roll Morton to Stanley Cowell!”
“Piket is emerging as one the top tier of improvising pianists around today.”
“Roberta is a force to be reckoned with and one to watch.”
“The revelation of this year’s (Earshot Jazz) festival was Roberta Piket.”
“A sense of discovery abounds.”
“Pianist and composer Roberta Piket stands among the elite minds of modern jazz.”
“Roberta Piket isn’t a blusterer: each of her pieces seeks to solve a particular problem, and she’s quietly been working on form and conceptual matters in the spirit of devoted explorers like Chick Corea and Richie Beirach.”
“A modern romantic with a contemporary harmonic sense and a timeless genius for inventing fresh, crisp ideas.”
The daughter of a European composer and a Great American Songbook singer, pianist/composer Roberta Piket is one of a handful of New York musicians who is respected for both her swinging and inventive straight-ahead jazz playing as well as her powerful and sensitive work in creative improvised music. For Roberta, there are no genre boundaries, only the opportunity to make exceptional music.
Roberta’s father was the Austrian composer Frederick Piket, whose works were performed by the New York Philharmonic under famed conductor Dimitri Mitropoulos. (The elder Piket, who passed away when Roberta was eight, is also renowned for his significant contribution to the musical liturgy of reform Judaism.)
From her mother, Roberta learned by ear the tunes of Porter, Gershwin, Kern, Rodgers, and Berlin (as well as accompanying lyrics).
In her early teens, a chance encounter with a classic Muse LP rescued from a flea market changed the course of Roberta’s life.
More about Roberta’s Story
One for Marian: Celebrating Marian McPartland (EPK)
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