Listen to our Grammy Submissions Here

We’ve just completed Grammy submissions for Sides, Colors. If you’re a NARAS member (or just want to hear the music), you can listen to my three submitted tracks here:

Submission for best instrumental arrangement accompanying vocals (category 59)

Submission for best instrumental arrangement (category 58)

Submission for best improvised jazz solo (category 30)

I’ve tested these downloads on both Mac and PC. These are big files so give them a few seconds to load.

If you’d like to hear the whole CD, which we’ve also submitted for consideration for best jazz instrumental album (category 32), contact me.

I’m very proud of this recording. It’s my eighth as a leader and the first one I’ve submitted for Grammy consideration.

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Free sheet music downloads

A drummer friend of mine requested a copy of Degree Absolute, the slightly off-kilter 17/16 funky organ/piano track on Sides, Colors. So I added it to the sheet music page on my web site. You can download it, and other original compositions of mine, for free here:

http://robertajazz.com/sheet-music/

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Win a Free CD!

I want to say how much I appreciate your continued support for my newest CD, Sides, Colors, which was released this past March on Thirteenth Note Records.

To say thank you, we’re sponsoring a contest at AllAboutJazz.com. AAJ is giving away five free copies of Sides, Colors. Anyone can become an AAJ member and sign up for the contest for free starting today. FIVE winners will be selected at the conclusion of the contest on June 27th. Sign up here:

http://www.allaboutjazz.com/php/news.php?id=81953

The CD has being getting great reception in both JazzTimes and Downbeat magazines.

Thematic diversity is the most intriguing aspect of pianist, bandleader, composer and arranger Roberta Piket’s latest release, Sides, Colors… The strings add a pensive, striking quality to Piket’s lines and Mintz’s colorations
-Ron Wynn, JazzTimes (May 2011)

And in the upcoming June Downbeat, Robert Doerschuk wrote a lovely piece in the Players section called “Beyond the Trio”.

We’ve also gotten great feedback on our “jazz video”, so if you haven’t checked it out, you owe it to yourself to watch it: Idy’s Dance

Some travel is in the works for later this year and early 2012. For news on upcoming shows, video clips and more, please “like” my Facebook page or visit www.robertajazz.com

Thanks again for your support, and don’t forget to enter the contest!

Best Regards,

Roberta

Visit Roberta on Facebook
New CD, Sides, Colors, now available!
Watch “Idy’s Dance”: A Music Video!

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My Grammy Category Problem Goes Beyond the Current Restructuring

The recently announced Grammy Awards field and category restructuring is perplexing for many reasons. It’s hard to understand how rational people, presumably with some depth of understanding of American music in the early 21st century, could have made some of these decisions.

(For those of you unfamiliar, in Grammy lingo a “field” is what we would think of as a genre of music. Within each field there are three or more award “categories”.)

In the jazz field, NARAS has folded best Latin Jazz album and Best Contemporary Jazz Album into the Best Jazz Instrumental album. Those who have dedicated their lives to Latin jazz are already making a passionate and articulate case for restoring the Latin jazz field; and the absurdity and unfairness of pop stars like Kenny G (the poster boy for Contemporary or “Smooth” jazz) competing with serious jazz artists is self-evident. (It should be obvious to anyone with the most basic understanding of jazz, that the “best Contemporary jazz album” award should be folded into the “best instrumental pop album” field, not the “best instrumental jazz album” field. However, a broader look at the Grammy categories indicates a more systemic problem with the categories past and present.

In perusing the new fields and categories, I notice that pop music is divided into six different fields – electronica, pop, rock, alternative, R&B, rap, and “traditional pop”. Beyond that breakdown, there are separate awards for “Best Rock Performance” as opposed to “Best Hard Rock/Metal Performance.” As another example of how sub-divided the pop music field is, one can either compete for “Best R&B Performance” or “Best Traditional R&B Performance”. Juxtaposed with these nuanced divisions, and the prestige and respect they imply, is the “JAZZ” field: one field, with only four categories. In stark contrast to the pop fields, there is no acknowledgment of the enormous diversity in the jazz genre: Latin, avant garde, fusion, big band, trad, mainstream, acid jazz, etc. are all dumped into one field, left to compete with each other in a degrading and bizarre “apples to oranges” race.

At the NARAS meeting in New York last Monday, an important NARAS official (whom I won’t name) said that there should be no boundary between jazz and Latin jazz: “Great music is great music.” By this logic, there should only be one field and one Grammy award! Is this the best answer NARAS execs can give the membership?

Ideally, peer-given awards like the Grammy and the Oscar are an opportunity to celebrate, acknowledge, and expose audiences to the best, not necessarily the most popular, of the performing arts. By now, most artists understand that the industry obsession with market share over artistry (part of the broader American obsession with money over people) is killing American culture. Will NARAS, as our representative, work to counter this trend rather than continuing to be swept up by it?

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Idy’s Dance: A Jazz “Music Video” in 5/4

We’re finally releasing our “music video” for Idy’s Dance, produced by myself and Billy Mintz.

I don’t know if this is the first instrumental “real jazz” music video, but it’s certainly a first for us! Friends and loved ones who’ve seen it have reacted with either hysterical laughter, delight, or complete confusion. Let us know what you think! And please share it!

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Roberta Piket Announces Year-Long New York Artist Residency

PRESS RELEASE – DATELINE APRIL 1st

Pianist/Composer Roberta Piket today announced that she will immediately begin a year-long artist residency in the New York area, appearing nightly in her living room in Teaneck, NJ.

At a press conference today, she commented, “the pay isn’t great, but the food’s pretty good and I can dress however I want.”

She added, “I’m also thrilled that I will be joined by some of the best cats on the scene”, referring to Claude and Also, her orange tabbies. “We go back a long way and I’m looking forward to seeing them on the bandstand, er, I mean, under the piano keeping my feet warm.”

Roberta believes this special residency will give her career the boost she’s been hoping for. Says Piket, “I hope we can keep it going. If it works out, I’d love to continue to appear in my living room for as long as management will allow it.”

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Cutting Corners

It’s happened before, to me and to many colleagues. In promoting a new CD, we send out loads of free copies to press and radio contacts. A few of those recipients then sell them and they end up on ebay or Amazon selling for $3 – $7. Keep in mind we are not talking about an old release. We are talking about a fresh CD, released only a few weeks ago, that is still being actively promoted. Obviously legitimate stores, those that are actually PAYING us for our music, cannot compete with a price set by those who get the CDs for nothing.

I understand that not everyone wants to retain every CD they receive. If you receive a courtesy CD that you don’t want, here are a couple of suggestions for how to address the situation without further destroying the music business. First, consider donating it to a local library. There is a chance that they might one day sell it but by then it will be a stale release so the bulk of the legitimate sales will have already taken place. Second, if you don’t like an artist’s or label’s music, ask them to remove you from their mailing list. Don’t worry about hurting our feelings. Most of us have limited resources and would rather direct our promotional time and money towards those who are interested in what we have to offer.

We debated whether to clip a piece off the corner of the paper packaging so that the CD at least cannot be sold as “new” for $3. In the end we decided to open the plastic wrapping, but not to damage the CD itself. We wanted the recipient to have a quality experience with the CD from start to finish. We also felt it was insulting to send out a damaged package.

Unfortunately it’s nearly impossible to tell who is doing the selling, or where the CD came from. It’s a shame that, because of a handful of bad apples, we will have to start cutting the corners on the CD digi-paks before sending out promotional items. I hope the 99% of our media friends who are not to blame will understand this decision and not take offense.

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Jazz Mom

An unintentionally funny phone message from my 85-year-old mother, who is trying to find the local radio station that will be broadcasting my Piano Jazz segment:

Jazz Mom Voice Mail

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Nice Review by Vic Schermer on AAJ web site

Here’s a nice review by Vic Schermer on the AllAboutJazz web site.

http://www.allaboutjazz.com/php/article.php?id=38747

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New CD, Piano Jazz, and at Smalls March 8th

I’m very excited to tell you about my new CD which will be released on March 1st. It’s been five years since the last release. In that time I’ve been arranging for strings and winds, and building a new trio concept with Billy and Johannes. I hope you will check out the video about the music and enjoy the fruits of this labor of love.

Please check out the press kit video to hear music, and get behind-the-scenes insights and footage. If you like the music and want to support us, please share it with your friends in cyber-space or on earth. (See the links below to share this post on Facebook, MySpace or Twitter. You can also “like” my Facebook page to receive updates on what’s going on, as well as links to free audio and video content. (Just click the link in the sidebar to the right of this page.)

The CD will be available at all retail outlets: CDBaby itunes Digstation as well as at local stores through NorthCountry Distribution (not to mention Amazon of course.)

A few other events to watch for:

- We’ll be posting a humourous “music video” of “Idy’s Dance”, produced by myself and Billy Mintz. I don’t know if this is the first instrumental “real jazz” video, but it might be.

- I’ll be appearing on Marian McPartland’s Piano Jazz some time this week, depending on your local station’s shedule. The show was hosted by the phenomenal pianist, Jon Weber. This marks my third time appearance on this venerated National Public Radio show. Check the NPR/Piano Jazz web site to find out when it airs in your area (or listen to it online):

- On March 8th my trio featuring Cameron Brown and Billy Mintz will be appearing at Smalls. Even if you’re not in New York, you can watch it live on the smalls’ website starting at 9:30pm until midnight.

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Thanks for your support!

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Sides, Colors

On Sides, Colors, Roberta’s intriguing arrangements enhance the piano trio with strings, reeds, brass, percussion and organ. As Piket says, “I wanted to maintain the intimacy of the trio. At the same time I love the colors and textures that the other instruments add.”

While Sides, Colors is not just another piano trio album, it is the trio of Roberta, bassist Johannes Weidenmueller and drummer Billy Mintz that is at the core of the CD. Even in the context of the larger ensembles, their intuitive, conversational interplay is a joy to hear. The trio is the foundation for the sonic landscape that is Sides, Colors.

As pianist Mike Garson points out in his liner notes, Sides, Colors “…maintains the essence of the great jazz trios in history, while expanding the format to greater heights and carving much new territory. This is the true spirit of jazz and how the music is supposed to continually unfold”.

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